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Naturally, when they recorded together, their songs leaned closer to novelty records.
Louis armstrong ella fitzgerald discography plus#
The two both had a good sense of humor, an excellent sense of rhythm, plus they recorded for the same label, which made the partnership easy. In 1950, Louis Armstrong teamed up with another Louis, Louis Jordan, that is. Louis Armstrong and the Mills Brothers in 1937 with “In The Shade of the Old Apple Tree.” This is Louis Armstrong and the Mills Brothers with the old 1905 song “In The Shade of the Old Apple Tree,” on Afterglow In 1937, Armstrong made several recordings with the Mills Brothers for Decca Records, featuring Armstrong’s trumpet-playing over the Mills Brothers’ vocal accompaniment. On occasion, he would sing with entire vocal groups, including The Golden Gate Quartet, the Jud Conlon Rhythmaires, the Hi-Lo’s, and the Mills Brothers. It wasn’t only solo vocalists that Louis Armstrong sang with. Armstrong would go on to perform that song many more times in his career as a duet with singer and trombonist Jack Teagarden. Louis Armstrong and his Orchestra in 1929 featuring singer and songwriter Hoagy Carmichael with “Rockin’ Chair.” Hoagy played the father character in that song, while Louis played the son. This is the two of them singing Carmichael’s original tune “Rockin’ Chair,” on Afterglow. Here’s a recording of Louis Armstrong and his Orchestra in 1929 with singer and songwriter Hoagy Carmichael. but not long after, he was performing with some bigger stars. His first duets were mostly with his wife at the time Lil Armstrong… Louis Armstrong’s first vocal records came in 1926 with his Hot Five and Hot Seven groups, and it wasn’t too long after that he started singing duets.
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Just now, we heard them with “You’re The Apple of My Eye” and before that “You’re Just In Love.” Louis Armstrong in 1951 with the primary vocalist in his groups The All-Stars, Velma Middleton. Here’s Louis Armstrong and Velma Middleton in 1951 with the Irving Berlin song “You’re Just In Love,” on Afterglow. Middleton had the personality, wit, and skill to match Armstrong’s antics, and despite being 16 years younger than Louis, she often served as the more mature person on stage. From 1942 through her death in 1961, she was the primary vocalist first in Louis Armstrong’s Orchestra in the early 1940s and then with his All-Stars starting around 1947.
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Middleton had the personality of a vaudeville star and the chops of a blues diva. I’ll be featuring mostly studio recordings this hour.īefore I get to some famous names like Bing Crosby and Billie Holiday, I want to turn my attention to a less famous singer who possibly shared the spotlight with Louis more than anyone else, and that’s Velma Middleton. A quick glance through his complete discography compiled by Jos Willems revealed that Louis sang with over 30 singers in his career, many of them in live concerts. Despite already being a legend by the 1930s, Armstrong was more than gracious to share the stage with others. Louis Armstrong, shared the spotlight with other singers. On this show, we’re exploring the times that Pops, a.k.a. Louis Armstrong with Ella Fitzgerald with one of their more famous duets, the George and Ira Gershwin song “They Can’t Take That Away From Me.” That comes from the 1956 Verve LP Ella and Louis, featuring the Oscar Peterson Quartet, and of course, Louis Armstrong on trumpet. It’s Satchmo and Friends, coming up next on Afterglow Coming up, we’ll hear him with Bing Crosby, Ella Fitzgerald, Billie Holiday, and many more.
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This week on the show, I’ll be looking at some favorite duet recordings Louis had with his many famous friends. Luckily, Armstrong was more than willing to share the stage. And so sharing time in the spotlight with Satchmo was almost like a jazz benediction. Whether you call him Pops or Satch, Louis Armstrong was likely the single most influential figure in jazz. MARK CHILLA: Welcome to Afterglow, I’m your host, Mark Chilla.